Further improvements to the Key Editor’s capabilities include creating ramps and curves in the CC and Pitch Bend lanes, setting pitch bend steps to semitones, copying CC edits to another MIDI track and deleting MIDI notes with a simple double-click - it’s often the small things that make all the difference. Change the view so that only the notes of the set scale are displayed or let the Scale Assistant analyze the played MIDI notes and change them to the correct scale. Start with the spectral domain, where time, frequency, and amplitude are visible. The Scale Assistant is another addition to the Key Editor, setting the scale to ensure that all notes are played in perfect tune. SpectraLayers introduces this way of editing audio. We have reviewed many of their software titles in past issues, including HALion 6, HALion Sonic 3, Padshop 2 and Cubase 11. The Sampler Track in Cubase 11 boasts many new additions, such as the new slicing mode for loop-based samples, two global LFOs for more complex filtering sounds, and the new mono legato glide, which is ideal for bass lines. Family features for Pro, Artist and Elements Imager offers four bands for placing audio tracks in the stereo field, and the individual scope and correlation displays facilitating an easier panning to make the tracks sit perfectly in the stereo spectrum, while SpectraLayers One lets users visualize and edit audio in the spectral domain. These include Imager, the new multiband plug-in that contributes to a cleaner mix, and SpectraLayers One, a compact version of the acclaimed SpectraLayers Pro 7. Alongside the many refinements included in Pro and Artist, such as new Marker Lines, Pitch Visibility and improvements to the Range Selection tool and ARA workflow, additional tools have been introduced.
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